I saw the Oscar nominated movie “Black Swan” and thoroughly enjoyed it. As a person involved in the film industry, not once did I ever suspect that Natalie Portman was 100% responsible for the portrayal of the lead ballerina, Nina Sayers. Before watching the film, I understood that Natalie Portman dedicated a lot of time and effort to her role. However, never did it cross my mind to be so naive as to think that Natalie Portman became an elite, top tier ballerina in such a short period of time. Such silly thoughts seem to be nonsensical, in my humble opinion. Possible, potentially, but not probable. And, after all, this is the movies.
I am familiar with the movie industry. I once made a movie featuring a narrator who, gasp!, did not appear in the film. This, in spite of the fact that the “narrator” in question was supposedly portraying the voice of one of the lead characters. It is not a cover up. It is not deception. It is movie making.
If there is any credence to be given to Entertainment Weekly (and I suspect there is), Sarah Lane (the body double of Natalie Portman in “Black Swan”) is ignorant to the movie making process. In yesterday’s EW article titled, “‘Black Swan’ double claims Natalie Portman only did ’5 percent’ of full-body dance shots in the movie” ballerina double Sarah Lane claims, “It’s just unfortunate that I kind of lost credit.” Meanwhile, the Internet Movie DataBase (IMDB.com) clearly shows that Sarah Lane was credited for her involvement in the film. Furthermore, according to the aforementioned EW article, the movie credits Sarah Lane as a “‘Hand Model,’ ‘Stunt Double,’ and ‘Lady in the Lane’.”
In the EW article, Lane goes on to say, “It is demeaning to the profession” and that “from a professional dancer’s standpoint, she [Natalie Portman] doesn’t look like a professional ballet dancer at all.” I acquiesce this latter point to Lane. However, I also think Lane needs to acquiesce that the latter point is irrelevant and the former point is untrue. Her comments merely show her ignorance about the movie industry. It is unfortunate, in my opinion.
Although totally unrelated, I am reminded of one of the necessary qualifications for a journalistic piece to be considered libel or slander, which is that the information must first be beleivable. I never believed Natalie Portman became an elite ballerina in a year and a half. I did not need to. That is part of the magic of the movies and exactly the reason Sarah Lane was able to land a job as a stunt double in the first place – to hide Natalie’s flaws as a relatively novice ballerina.
In my estimation, anyone who beleived Natalie Portman became some dancing prodigy is a fool. Actors and actresses play roles in movies every single time they step in front of a camera. They don’t become brain surgeons before stepping into that fake doctor’s office; they don’t become award-winning musicians before portraying the roles of musicians. It is absurd to think that would be the case. If the world ran that way, fictional movies would never get made. Otherwise, who would play the role of Forrest Gump? Who would star in Transformers? Who would play Batman? Need I go on?
If Sarah Lane were in charge of the movie industry, there would be no movie industry, because, in her eyes, suspension of disbelief woulld not be allowed, trick camera work would not be allowed, stunt doubles would not be allowed and body doubles would not be allowed. Of course, if that were the case, Sarah Lane would have been out of job on the film “Black Swan.” In reality, it is not the case, so I merely have one question for Sarah Lane, “Why did you sign on to be a body double in the first place?”